Tag Archives: Deborah Heiligman

The Best of EatReadSleep, Part 2

General Adult Nonfiction and Anti-Racist Reads

I love nonfiction so much that I am going to divide it up into categories. I read widely across the Dewey Decimal System (a little library lingo) because I am omnicurious. If you don’t see your interests in general nonfiction, I have a couple of specialized categories coming up in this post and the next.

Click on the title links for the full review.

General Nonfiction and Memoirs

Think Again, by Adam Grant. The review on this title has been very popular, with continuing interest over the past year or so. Grant examines the value of changing our minds in both business and personal decisions.
Deep Work, by Cal Newport. The most creative people guard their uninterrupted time. This book has brought about positive innovation in many lives and organizations.
Stolen Focus, by Johann Hari. A fantastic title that did not get enough love. Listen to the audio. Important and engaging.
Dr. Bernstein’s Diabetes Solution, by Dr. Richard Bernstein. This famous doctor is a pioneer in the field of diabetes research. Anyone with diabetes, type 1 or 2, should own this book.
A Craftsman’s Legacy, by Eric Gorges. I have a longer, related post on TheReaderWrites, and both have received tons of hits from mechanics to knitters. I think we humans love to create with our hands.
Salad Love, by David Bez. Of all the many cookbooks I’ve reviewed, this simple, thorough volume with a crystal-clear layout is still a favorite in our house after 7 years.
Educated, by Tara Westover. This harrowing memoir of a woman raised in the fundamentalist Mormon church was on the bestseller list for years. Riveting.
Vincent and Theo, by Deborah Heiligman. A young adult biography of the famous artist and his brother that won all the awards and is perfect for art-loving adults.
The Dark Queens, by Shelley Puhak. Two wild women of the Dark Ages whose stories had been nearly erased. Think Brunhilda and Circe Lannister.
Hillbilly Elegy, by J.D. Vance. A difficult American story out of Appalachia, honestly revealed by one of its favorite sons. Oh, I had such hopes for Vance before he sold out.

Anti-Racist Reads

A few years ago, David and I looked around at our very white world and realized that we lived in a bubble. We started intentionally reading as many books as we could on race in America. I began with White Fragility, which was a complete mistake, since I found it elitist and ridiculous. It is one of the very few negative reviews I’ve ever written. However, things improved greatly after that, and many of these books have been influential in our lives. Some are aimed at the white evangelical church and its members. These are all adult nonfiction, but many fiction titles in the blog, especially children’s and young adults’ banned book reviews, are also anti-racist.

Click on the title link for full reviews.

Caste, by Isabel Wilkerson. This is the most scholarly and thoroughly researched of all the anti-racist books we own. A must-read for everyone.
Rediscipling the White Church, by David W. Swanson. Written by a pastor for other church leaders, really. Wisdom for those seeking to be part of the solution.
Be the Bridge, by Latasha Morrison. This was the best book we read by a black Christian leader, compassionately targeted to white Christians. She has a network of discussion groups all over the country.
So You Want to Talk About Race, by Ijeoma Oluo. The best-organized anti-racist book we read. It is set up in question-and-answer format to make it easy to navigate and understand.
How the Word Is Passed, by Clint Smith. Learning racial history by geography. Very effective, and filled with surprises.

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Vincent and Theo: The Van Gogh Brothers, by Deborah Heiligman

Theo and VincentTheo Van Gogh was four years younger than his brother, Vincent, and yet he supported him, both financially and emotionally, all of his life. Born in the Netherlands, Vincent moved around Belgium, England, and France in an effort to figure out where he belonged. He did not grow up wishing to be an artist, so when he made the late decision to start painting, he spent years just learning his craft. Theo worked as an agent in an art gallery, and he sent Vincent money for rent, paint, and the little bit of food that he ate. Vincent went for incredibly long walks, worrying his family with his gaunt, disheveled appearance. His worldview was so different from anyone else’s that when he asked Theo to send him more money each month so that he could rent a larger apartment for the prostitute and her children whom he had taken in, he could not understand why Theo refused. He sent sketches and paintings to Theo for critiques, since he knew that his brother was acquainted with all of the latest trends. Once he saw the use of light and color in the works of the Impressionists while on a visit to Theo in Paris, Vincent was inspired and worked feverishly to turn out an amazing amount of art in his short and tragic life.

Known as a post-Impressionist painter, Van Gogh’s artistic understanding is unique. Although he learned from the Impressionists, his thick brush strokes and symbolic elements move him past their more representational style. Perhaps as a result, he did not become financially successful in his lifetime, and his most famous works were created in his last few years. Heiligman demonstrates that it was his sister-in-law, Theo’s widow, who was largely responsible for introducing the world to Van Gogh’s genius.

Vincent Van Gogh portrait

Self-Portrait

Since these two brothers kept up a steady correspondence throughout their lives, sometimes with more than one letter each day, Heiligman was able to obtain plenty of primary source matter for this double biography. Many others have written about Vincent Van Gogh, but never springing from this relationship that was central to his life. The author follows the brothers from their childhood through their deaths— so close together— and she never shies away from the mental health issues that plagued them increasingly as adults. Their sister, as well, ended her life in a mental institution. Vincent did have some sort of medication, which he seemed to take sporadically, and today he would probably have begun taking medication for bipolar disorder in adolescence, which begs the question of his genius. Would Vincent Van Gogh—and so many other artists and creators—have given their gifts to the world if they had been “normal”? And what is “normal”? Is longer life more important? And who gets to decide?

The best books are the ones that make one think, and I’m still thinking about this one. My only wish is that the author had included more photos of Van Gogh’s artwork, and had referenced the included ones in the text. I looked up a lot of things on Google Images, only to discover a few of them later in the book. This thorough biography was written for teens, but includes details that make it unsuitable for younger readers. It’s on the short list for the Youth Media Awards in February, both in teen literature and nonfiction categories, and it is a worthy candidate, indeed.

Disclaimer: I own a copy of this book. Opinions expressed are solely my own and may not reflect those of my employer or anyone else.

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