Tag Archives: Gene Luen Yang

Dragon Hoops, by Gene Luen Yang

“Ka-Thunk!” Gene Luen Yang was a computer science teacher at Bishop O’Dowd Catholic High School in California who became aware that his school’s basketball team, the Dragons, was in contention for the state championship that year. Gene knew nothing about basketball. He was so skinny as a child that his nickname was Stick. He didn’t like to play sports, and he thought watching sports was boring. On the other hand, he was looking for a subject for his next graphic novel, so he found his way to the school gym to interview Coach Lou Richie.

“Step.” Gene was very careful to keep his life in balance: a quarter of his time for teaching, a quarter of his time for making comics, and half his time for his family. Over the course of the basketball season, as he dug into the life story of the coach and several players, he found that there was more to them than just guys throwing a ball around—although there was plenty of that—but that each person had a complex background and obstacles to overcome. Changes came to Gene’s life, too, forcing him to make a difficult decision that threatened to wreck his tidy schedule, but promised to make a dream come true.

“Paa! Paa! Paa!” In 2007, I was privileged to attend the Printz reception, where American Born Chinese was the first graphic novel ever to win the award for outstanding teen literature. It was a stellar group of honorees that year, and Gene Luen Yang’s acceptance speech was quintessential high school teacher: he prepared a PowerPoint. In his kind and affable manner, he taught a room full of librarians about the history of American bigotry against Asian people. It was eye-opening. In Dragon Hoops, he uses a personal story about his school to reveal the systemic racism and misogyny in the history of basketball, as well as the contemporary struggles of teens from many ethnic groups.

“Swish!” Gene Luen Yang is a former National Ambassador for Young People’s Literature, and during his tenure, he encouraged everyone to read something in a format that is outside of their comfort zone. If you are not familiar with graphic novels—or if you absolutely love them— this 2020 autobiography is a great reading experience. Although it is almost 450 pages long, I read it in about 2 hours. The panels are large, the colors are pleasing, and the story flies by. Don’t miss his earlier works, such as American Born Chinese and the two-volume Boxers & Saints, reviewed here. He is also the author and/or illustrator of several series, such as “Superman,” “Avatar: The Last Airbender,” and “Secret Coders,” among many others.

Disclaimer: I read a library copy of this book. Opinions expressed are solely my own and may not reflect those of my employer or anyone else.

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Book Expo 2016

 

BEA vendor hall

Just a Tiny Corner of the Vendor Hall

Vast spaces with advertising banners flapping overhead, thousands of vendors tastefully hawking books and book-related technology, and many more thousands of women and men setting up appointments with their chiropractors on their cellphones as they juggle canvas bags of heavy books that they couldn’t resist adding to the piles of unread galleys they already have at home: it’s another Book Expo America.

BEA venueMcCormick Place in Chicago—the West Building, specifically—hosted us this year as we attended excellent sessions with esoteric names such as “Innovation in Children’s Publishing” and “The Story Starts Here: Humor Edition” while navigating escalators and paying outrageous amounts of money for water. BEA started as a conference for publishers and booksellers, particularly for the adult market. However, over the years they seem to be catching on to the fact that libraries spend a lot of money on books, and that the children’s market—especially the exploding YA segment—can be lucrative, too. Two years ago, in New York, there were just a few valuable events for me, but this year, I had a hard time getting to the vendor floor between sessions, although two exceptional events were added the very week before the conference.

Kwame Alexander hug

Kwame and me: we’re best buds.

By the late afternoon on Thursday, the day after the Day of Dialog and Children’s Author Dinner, I was beginning to flag. I had been rained on during the river architecture tour in the morning, had attended several good sessions at McCormick Place and had even done a conquering tour of the vendor floor. Somewhere along the way, I got wrapped up in a bear hug by the amazing Kwame Alexander, Newbery-winning author of Crossover. He’s expanded to picture books now! At the end of the day, the thought of walking across the indoor bridge to the Hyatt Regency for Scholastic’s Picture Book Event was daunting, but I figured I could nurse my blisters later. I’m so glad I made the effort! Three outstanding authors and illustrators greeted us there: David Shannon, Tom Lichtenheld, and Kate Beaton. All of these are much-loved authors, and you can imagine how much fun picture book folks would be.

Picture Book Panel

Kate Beaton, David Shannon, and Tom Lichtenheld

There were musical numbers with audience participation, reader’s theater, and hilarious slide shows. We received galleys of Shannon’s new Duck on a Tractor, Lichtenheld’s Groovy Joe: Ice Cream & Dinosaurs, and Beaton’s King Baby. I had to laugh when Kate Beaton talked about the stages of life on Facebook: you go for years in college when you have nothing but pictures of young adults partying, etc. Then suddenly, your friends get married and their posts are nothing but baby pictures, and you roll your eyes in disgust. Then your sister has a baby, and your Facebook page is nothing but baby pictures, too—but nobody else’s baby is as cute or smart as yours. They left us with terrific gifts, including a signed and illustrated print of all three book covers in a wooden frame, which is now hanging near my desk.

Thursday evening was all about the Sourcebooks cocktail party in the Hancock Tower that I wrote about in my first Chicago blog, so it was serious work, of course.

Torch Against the NightFriday started early, back at McCormick Place for the Children’s Author Breakfast. Let me just state here that the fees for the meals at BEA must go to the speakers, because the menus are a low-carber’s nightmare. Mini-bagels, sweet breads, and fruit. I had had some yogurt back at the hotel, just in case, so I started off this breakfast by popping the top off the coffee carafe and pouring it all over the tablecloth, my purse, and my slacks. I did manage to miss my colleague, thank goodness. The day did improve. Jamie Lee Curtis, who is one of the few celebrities to write children’s books that are truly literary, hosted a panel that included Dav Pilkey, Sabaa Tahir, and Gene Luen Yang, all of whom are brilliant and gave fascinating speeches. Ms. Curtis shared with the audience that her severely challenged son, who is now twenty, could not read until he met Captain Underpants, and so now she has a soft place in her heart for Dav Pilkey. She choked up, they embraced, and the audience wept and had more coffee. Ms. Tahir spun stories of her childhood as a bullied Muslim girl growing up in the American western desert, where her father owned a hotel. I achieved my objective of acquiring an additional copy of the much-anticipated A Torch Against the Night for a certain teen girl that I know who passionately adored Tahir’s debut, An Ember in the Ashes. Gene Luen Yang gave a rousing speech as this year’s National Ambassador for Young People’s Literature, encouraging us to read outside of our comfort zones. I agree with him that our entire world would be a more peaceful place if we lived inside one another’s stories for a while and broadened our worldviews. In all, this author’s breakfast encapsulated the heart of children’s literature: innocence, suffering, laughter, and compassion.

After meeting a favorite author by chance on the vendor floor, sharing stories at a session with the Unshelved guys and other librarians, and setting up a shipping box to send all of my loot home ahead of me, I went to the ABA-CBC Children’s Author Speed Dating Lunch, and this, as mentioned in my last post, is where I geeked out. Here is how author speed dating works: all the participants are assigned to a numbered table, and the authors move from table to table, pitching their latest works for five minutes until the bell rings and they move to the next table and start again. Often, the authors are fairly new or even debut authors. It’s fun, and the tables are piled high with gift copies of their books, just in case you haven’t set up that appointment with your chiropractor yet.

David Arnold.jpg

David Arnold

I had never eaten a meal during speed dating before, and it was tricky. You can’t put food in your mouth while the author is talking, since that seems rude, so you’re stuffing forkfuls of salad in while they walk to the next table. Our second author had just sat down and was plunging into his spiel in a panicked manner, since he had just realized at his first table that the bell rings far too soon. Something he said made me think, “Oh, my gosh, is this…?” as I craned my neck to see his nametag while frantically trying to swallow my lettuce. Then I blurted out, “Oh, my gosh, are you David Arnold?” He stopped talking and nodded, wide-eyed, as if caught in the act of being himself. “Oh, I just loved Mosquitoland so much and forced so many people to read it!” KidsLogoORIGINALFILEI gestured to his new book, Kids of Appetite, and he started talking again. At the end, I asked him if he was signing galleys and got all the info about where he would be. In the meantime, the very dignified woman to my right took over all author comments, since I’m sure she was convinced that I could not behave in a professional manner. This turned out to be a good thing, since I could not say a word later when Arthur A. Levine, a publisher himself, sat down to talk about his new book, What a Beautiful Morning. I could not help crying the whole time, which made him tear up, so the woman on my right was probably in despair that our entire table would be disgraced. This luncheon turned out to be much more wonderful than I expected, so Friday was becoming an excellent day.

Kids of AppetiteAfter this event, I hauled my armloads of books up two flights and immediately got in line at the Penguin booth to get David Arnold to sign Kids of Appetite. There was another line for Sabaa Tahir, but when asked if I wanted to join it, I said, “Oh, I’ve already seen her” in a lofty manner and went to Arnold’s line. I was probably the oldest person in either line, but I probably spend more money on books than any of them, so I felt justified. When I got to the front, he remembered me from the luncheon, since I was so memorable to all the witnesses, and he asked me if I wanted the book to be personalized. I said, “Hey, I did not walk all this way and stand in a line for just a signature!” So he very nicely wrote a bit in it. (I have already finished this book and will post a review later. Hint: thumbs up.)

Maggie Stiefvater

Maggie Stiefvater

The very last session I attended at BEA was the APA Audio Authors’ Tea. Do you know what they served at this tea? Tea. Lipton’s. Regular or decaf. There were also some cookies that I ignored, but seriously, Lipton’s? When I went to Orlando for the Baker & Taylor Vendor Summit, they had a glorious selection of teas set out all the time between sessions. Here, I actually paid for the session and got Lipton’s. Oh, well, I really paid for the event because it featured (drumroll…) Maggie Stiefvater! There were others, too, of course: Terry McMillan, John Scalzi, and Michael Koryta, so no small potatoes. All were great, and discussed the special considerations that go into making recordings of books, which I have found fascinating since touring the Recorded Books studio a couple of years ago in New York. Maggie looks like a character in one of her books, and I hung on her every word. I am so glad that I was able to finish The Raven King—the last of the “Raven Cycle”— before seeing her, and I can’t wait to see what this amazingly creative author serves up next.

And that was it! I shipped off my box of goodies and joined my group of colleagues and my husband for that boisterous final meal of octopus that I wrote about in my first Chicago post. I was able to meet so many of my favorite authors, confer with other professionals, and continue to increase my respect for hardworking publisher reps, and throughout the week, several themes seemed to come to the forefront over and over again. I hope to write about those in a later post.

Thanks to all who made Book Expo America possible!

__________________

The very sophisticated photos of David Arnold and Maggie Stiefvater are from Google searches, probably by very expensive professional photographers. The photo of Kwame Alexander and me is from Baker & Taylor’s Facebook page, courtesy of Jill Faherty of Baker & Taylor’s Children and Teen Services.

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Boxers & Saints, by Gene Luen Yang

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Printz Award-winning graphic novelist Gene Luen Yang has written a two-volume work to explain the Boxer Rebellion to American teens. Well, and adults, apparently. I don’t know about you, but my education did not cover this Chinese revolution against foreign invaders and Christian missionaries that took place from 1899-1901. Yang concentrates on the religious elements of the rebellion, portraying two young people as representatives of the opposing sides: Little Bao, who followed traditional Chinese religion and founded the Society of Righteous and Harmonious Fists (this would never work today, as your Tweet would be done already) and Vibiana, a somewhat accidental convert to Christianity.

Wars are more complex than the textbooks would lead us to believe, and Yang brings out this ambiguity well, as Little Bao and Vibiana charge forward for the sake of their righteous causes, only to be brought up short when the issues blur and they find that people they respected turn out to be flawed or people they hated display compassion and integrity. The conflation of religion and ethnicity has resulted in misery for so many millennia, and the Boxer Rebellion is no exception. We watched Dietrich Bonhoeffer in Metaxas’ biography as he was stunned by the universality of the church when he went to Rome and saw people from all over the globe worshipping God. This phenomenon went against everything he had known as a German Lutheran whose church was wrapped up in his fatherland. Similarly, the Boxers confront the presumed paradox of Chinese Christians. How could this be? Christians were supposed to be foreigners, and their compatriots were supposed to practice “Chinese religion.”

I was privileged to be present when Gene Luen Yang accepted the Printz Award for American-Born Chinese in 2006. He is a devout Catholic and teaches computer science in a Catholic high school. He is an unassuming, really nice guy who used the speaking opportunity to demonstrate the history of American prejudice against Chinese and other Asian immigrants through the decades. It was truly enlightening. In Boxers & Saints, Yang writes with a remarkably even hand and leaves some issues ambiguous. In a civil war, there are never any true winners, just tragedy all around as brothers and friends are pitted against one another and forced to participate in a dehumanizing slaughter that changes their nation forever.

Yang’s artwork is as crisp and appealing as ever, and the story is easy to follow, even if you know nothing whatsoever about Chinese history. No one can argue that he hasn’t chosen a unique topic in young adult literature, and he is probably the only person who could have carried it off. There is even some humor and a bit of romance! Parents and teachers will be able to find many topics for discussion, and reluctant readers will learn some serious history. Boxers & Saints are on the National Book Award  shortlist, and rumor has it that the Printz Committee is treating this as one work, and it is definitely in contention for the prize.

Recommended for 12 and up.

Disclaimer: I read library copies of these two books. Opinions are solely my own and do not reflect those of my employer or anyone else.

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