Call and response: a powerful form of protest. Andrew Wilbert Fitz was the child of a couple born into slavery, the middle of eleven children. He lived through two world wars, went to college, patented new inventions, and wrote poetry. His granddaughter, Mari Fitz-Wynn, has curated a collection of his poems and added her own, responding to his call across a century, sharing his sorrow at our human sins and reflecting his strong Christian faith with her own.
Mari has arranged this collection so that her grandfather speaks first with his poems, then Mari presents a poem of her own, sometimes on the same theme. Using various verse forms, the poems are often meditations on scriptural passages, and Mari, in particular, has structured several of her poems as liturgies that could be used in communal settings. Praise for the beauty of creation is woven throughout, from the exultation of “Creation and I” to the joyful skipping verse in “Nature’s Symphony.” There are poems of encouragement, motivating the reader to use their God-given gifts and to generate ideas that will further the Kingdom on earth. One of the most powerful selections is “Dead Soldier,” which Andrew addressed to the young men in their graves, saying, in part:
“… tell of the heartless heads of government,
the kings, the princes, and the presidents,
who sent you forth to die for an empty cause
despising God and all His sacred laws.”
Throughout this collection are poems of lament, an outpouring of sorrow rarely heard in white churches today, although the Hebrew scriptures are filled with lament, particularly in the Psalms. Throughout the millennia, believers have cried out to God in private grief, but also in communal prayer that God would acknowledge injustice and send healing and comfort. Andrew’s parents spent their early years in bondage, and later he went on to serve in World War I and live through Jim Crow and the Civil Rights struggles of the mid-twentieth century. He saw that the government enforced these evil laws and that the white church rationalized the terror from the pulpit. He asks, “How long shall prejudice be mixed with prayer?” Mari, lamenting that our world still labors in sin, responds with her “Hands Up—A Litany,” asking for freedom from fear and concluding with praise.
I had the pleasure of working with Mari Fitz-Wynn at our library, as well as with her two grown children, Kiefer and Rooney, who wrote an afterword to this book. They are all kind and quiet souls, and her kids have gone on to pursue brilliant careers. After her husband passed away fifteen years ago, Mari began speaking at home education conferences and other venues and participating in creative entrepreneurial projects. In addition to this volume of poetry, which contains a foreword written by the Poet Laureate of North Carolina, Mari has published two books and many articles.
This inspiring collection may be purchased on Amazon or from Faith Journey Publishing, a company dedicated to giving a voice to mature Christian women of color.
Disclaimer: I own a copy of this book, given to me by the author. Opinions expressed are solely my own and may not reflect those of my employer or anyone else. I do not receive remuneration from the purchase of this book.